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1. Gnana Vinayaka -- Gambheera Natai -- Adi -- Papanasam Sivan
2. Sabhapathi -- Abhogi - Roopakam-Papanasam Sivan
3. Marugelara -- Jayanthasri -- adi -- Thyagaraja
4. Kripayapalaya -- Charukesi -- Misrachapu -- Swathi Thirunal
5. Magudi
6. Swami Sangeetha - (Ayappan Song)
7. Bhagyada Lakshmi -- Madhyamavathi -- Adi -- Purundaradasar
Kadri Gopalnath is a somewhat atypical figure on the Indian classical music scene on account of his choice of instrument the also sax, an instrument he began playing as a child and that he has bent to the needs of the needs of the raga in a series of brilliant left-field interpretations. It's a choice that runs decidedly counter to the musical culture Gopalnath grew up in where his adherence to strict canons albeit with their own internal evolution, has permitted the preservation of a thousand years old tradition. Yet thanks to his passion and ability Kadri Gopalnath has managed to insert a typically western instrument to the flow of south Indian classical music, bringing out its resources and nuances in all altogether different light.
