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1. Naanenu Maadidheno
2. Baagilanu Theredhu
3. Enu Saadhane Maadi Krishnana
4. Elu Narayanane
5. Elemana Muraayiyanu Kondaado
6. Daasa Daasara Maneya
7. Hanuman Mathave
8. Hanthakana Dhootharige
9. Mella Mellane Bandane
Kadri Gopalnath is a somewhat atypical figure on the Indian classical music scene on account of his choice of instrument the also sax, an instrument he began playing as a child and that he has bent to the needs of the needs of the raga in a series of brilliant left-field interpretations. It's a choice that runs decidedly counter to the musical culture Gopalnath grew up in where his adherence to strict canons albeit with their own internal evolution, has permitted the preservation of a thousand years old tradition. Yet thanks to his passion and ability, Kadri Gopalnath has managed to insert a typically western instrument to the flow of south Indian classical music, bringing out its resources and nuances in all altogether different light.
