When I do something wrong, I say sorry to my wife. When my wife does something wrong.... I say sorry to my wife." One of the gems that flows out of Farhan Akhtar's mouth while addressing the oldest question on the gender equation: what does a woman really want in a marriage? Could it be the same things as a man? Maybe the route taken by the two individuals is different?
Director Saket Chaudhary raises some pertinent questions on the fake road-signs that could lead to an aborted marriage. Not all of the winking homilies work. But the film holds together primarily because of the intelligent writing and the sharp and crisp way the two main actors interpret the parts of the two individuals in a marriage that has a lot going for it. That includes a baby girl who arrives just in time to get this seven-year delayed sequel trotting on the right road.
