Des essayages au défilé avec Isabel Marant pendant la Fashion Week de Paris
#VogueFollows : A quoi ressemble la préparation d'un défilé parisien? Des coulisses des essayages dans ses bureaux à celles du show, Vogue a suivi Isabel Marant pendant la Fashion Week de Paris.
Directed by Linus Ricard @ Moon Management
Written by Maud Charmoy @ Vogue Paris
Edited by Tim Panduro @ Moon Productions
Produced by Anja Gildum @ Moon Productions
Executive production by Mariusz Skronski @ Moon Productions
Editor in chief Vogue.fr : Jennifer Neyt
Artistic director: Lysa Thieffry
Head of Vidéo: Nicolas Pellet
Vidéo Manager: Maxime Auburtin
En savoir plus sur http://www.vogue.fr/video/mode/videos/vogueparisfollows-des-essayages-au-defile-avec-isabel-marant-pendant-la-fashion-week-de-paris/23043#
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So, we're three days away
from the show, in my showroom.
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We're working on the
girls' looks
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with their hair and make-up.
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And we're casting
at the same time.
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This is the magical moment
when everything takes shape,
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the girls are ready, the make-up
is ready, the hairstyles are ready,
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and the clothes are ready.
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It's a fantastic time.
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It's true, in fact, that I've always taken
the word 'ready-to-wear' literally.
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What I'm interested in, is dressing
people for their everyday lives, watching,
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finding out why we choose one kind of clothing style
is chosen over another clothing style.
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I'm very much about real life.
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I've got kids, I take them
to school, and I drive a scooter.
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I don't have a driver who
picks me up and waits for me.
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I like to do my shopping,
and go to the market with my trolley.
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I can't always be perched up
on fifteen-centimetre high heels,
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dressed in a pencil skirt
with five-centimetre long nails.
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That's not who I am at all my look.
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What I am interested in is, how, bearing in mind that
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clothes are made
to be worn,
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that we can to feel good in them,
we want to look different,
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and sexy
without having to hide away feeling like we're in disguise,
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that's really my
challenge every season,
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by telling myself stories to myself
and travelling a little because
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that's what I like when I’m doing the collections.
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All the same, you've
always got to think about
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the real girl who will be wearing the clothes
and I myself will always opt
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for a relatively
simple and comfortable style,
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before settling on over
a look which says: here I am.
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I remember my first show
very, very well.
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00:02:01,550 --> 00:02:05,520
It was crazy really
because I had spotted
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00:02:05,540 --> 00:02:10,440
a place nearby which was
completely ruined and abandoned.
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The place was simply magical.
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I was allowed
to parade hold the show in it.
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00:02:17,280 --> 00:02:21,280
One week before the show, once
the invitations had been sent out,
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00:02:21,500 --> 00:02:24,840
They suddenly called me: "oh no,
it's not going to be possible".
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And, then, bang!
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You're twenty two, you've put
all your energy into this crazy show.
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Everything collapses all of a sudden,
one week before the show
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with the invitations
already sent out.
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So I said: "OK", and undeterred, "I'll do it anyway,
with or without permission or authorisation".
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We were absolutely terrified,
but as ever, right up until the last minute
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that the mayor should suddenly drop in
to see whether we'd done it anyway something or not,
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and the music was blaring, there were balloons,
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we had planned to have a party afterwards.
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We did everything.