G. Holst - The planets Op. 32 - Mercury, the Winged Messenger - Berliner Philharmoniker - H. von Karajan
The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1916. Each movement of the suite is named after a planet of the Solar System and its corresponding astrological character as defined by Holst. With the exception of Earth (the centre of all yet influentially inert astrologically), all the astrological planets known during the work's composition are represented.
Instrumentation
The work is scored for an exceptionally large orchestra:
Woodwind: 4 flutes (3rd doubling 1st piccolo; 4th doubling 2nd piccolo and a "bass flute in G", actually an alto flute), 3 oboes (3rd doubling bass oboe), an English horn, 3 clarinets in B-flat, a bass clarinet in B-flat, 3 bassoons and a contrabassoon
Brass: 6 horns in F, 4 trumpets in C, 3 trombones (2 tenor and 1 bass), a "tenor tuba" (euphonium in B-flat) and a bass tuba
Keyboards: a celesta, and an organ
Percussion: 6 timpani (2 players, 3 drums each except in "Uranus" having 4 drums for 1st and 2 drums for 2nd), a bass drum, a snare drum, cymbals, a triangle, a tam-tam, a tambourine, a glockenspiel, a xylophone, and tubular bells
Strings: 2 harps, 1st and 2nd violins, violas, cellos, and double basses
Voices: ("Neptune" only), 2 three-part women's choruses (SSA) located in an adjoining room which is to be screened from the audience
The suite has seven movements, each named after a planet and its corresponding astrological character (see Planets in astrology):
1.Mars, the Bringer of War
2.Venus, the Bringer of Peace
3.Mercury, the Winged Messenger
4.Jupiter, the Bringer of Jollity
5.Saturn, the Bringer of Old Age
6.Uranus, the Magician
7.Neptune, the Mystic
http://es.wikipedia.org/wiki/The_Planets
http://en.wikipedia.org/wiki/The_Planets
Mercury was the last movement to have been written. It is a reminder
that with peace the mind can be developed. The mind is not limited by
earthly constraints and can dart hither and thither in space and
time. How eloquently does Holst describe this in his deft
orchestration, and syncopated dance-like second subject. The middle
of the movement is remarkable for its 70-bar re-iterated theme.
-Words by Raymond Head
http://www.holstmuseum.org.uk/music-the-planets-suite-mercury.htm
