Indian classical musicians perform Tabla Pakhawaj jugalbandi in India.
The tabla , is a membranophone percussion instrument which is often used in Hindustani classical music and in traditional music of India, Pakistan, Afghanistan, Nepal, Bangladesh and Sri Lanka. The instrument consists of a pair of hand drums of contrasting sizes and timbres.
The right hand drum is called a tabla and the left hand drum is called a dagga or baya. It is claimed that the term tabla is derived from an Arabic word, tabl, which simply means "drum." The tabla is used in some other Asian musical traditions outside of Indian subcontinent, such as in the Indonesian dangdut genre. Playing technique involves extensive use of the fingers and palms in various configurations to create a wide variety of different sounds and rhythms, reflected in the mnemonic syllables (bol). The heel of the hand is used to apply pressure or in a sliding motion on the larger drum so that the pitch is changed during the sound's decay. In playing tabla there are two ways to play it: band bol and khula bol. In sense of classical music it is termed as "tali" and "khali".
The pakhawaja or mridang is an Indian barrel-shaped, two-headed drum, a variant and descendant of the older mridang.
It is the standard percussion instrument in the dhrupada style and is widely used as an accompaniment for various forms of music and dance performances. The pakhavaja has a low, mellow tone, very rich in harmonics. Set horizontally on a cushion in front of the drummer's crossed leg, the larger bass-skin is played with the left hand, the treble skin by the right hand. The bass face is smeared with wet wheat dough which acts as the kiran and is the cause of the vivid, bass sound the pakhavaja produces.
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