Eire Apparent were a band that deserved more success than they enjoyed in their brief three-year existence, and more recognition than they've received in the decades since. Mostly they're remembered for having had one album produced by Jimi Hendrix. The band had its roots in the Irish show band scene of the mid-'60s -- guitarist Henry McCullough had put his time in, playing with outfits such as the Sky Rockets and Gene & the Gents, based on Portstewart, Northern Ireland. By 1967, McCullough had decided to take his talent and career elsewhere and headed to Belfast and then to England, to Blackpool, where he crossed paths with Chris Stewart (bass), Ernie Graham (guitar/vocals), and Dave Lutton (drums). The latter were all ex-members of a show band called Tony & the Telstars, and with McCullough decided to form a psychedelic band that they christened the People. They made their way to London, where they struggled just to earn a decent living -- but a fortuitous gig at the UFO Club brought them to the attention of Mike Jeffery and Chas Chandler, the two managers of Jimi Hendrix. They got the band -- renamed Eire Apparent at Jeffery's insistence -- signed to Track Records, the imprint belonging to Kit Lambert and Chris Stamp (for which Hendrix also recorded), who were also the managers of the Who.
For an album that never had a hit to drive it, by a group that isn't too well remembered on its own terms, Eire Apparent's Sunrise is amazingly well known, at least as an artifact among Jimi Hendrix fans, owing to the fact that the guitarist produced it (and played on parts of it). But one wonders how many people have ever actually listened to the album -- as it turns out, it's a pleasing, tuneful, and occasionally bold psychedelic pop/rock excursion, similar in many ways to the Yardbirds' Little Games album, except that Eire Apparent were apparently far more comfortable with psychedelic pop stylings here than Keith Relf, Jimmy Page, et al., were on that Yardbirds record. The mix of lyrical acoustic and electric guitar sounds, some tasteful light orchestrations (strings and horns), and trippy lyrical conceits all works extremely well; this is a surprising psychedelic pop release, gently trippy most of the way through with a few searing contributions by Hendrix. Almost as important are the hints one gets of Ernie Graham's subsequent songwriting range in embryonic form on numbers such as "Rock & Roll Band" and "Magic Carpet" -- his work is rootsier and mostly more accessible than that of Mick Cox, the other major songwriter in the group (though he does make a pleasing contribution with "Let Me Stay"). Between their best songs, the group's overall musical facility, and Hendrix's contributions, the whole album ends up extremely strong and consistent, and well worth hearing on its own terms, even if it wasn't breaking any new ground musically.
http://www.allmusic.com/artist/eire-apparent-mn0000798489/biography
