The 4th Indo European Dance Festival (IEDF), 2013 was held from 21st to 25th February in New Delhi.
Bharatanatyam is a classical Indian dance form originating in the South Indian state of Tamil Nadu.This dance form denotes various 19th and 20th century reconstructions of Sadir, the art of temple dancers. Sadir in turn, is derived from ancient dance forms that includes some acrobatic karanas. Bharatnatyam is usually accompanied by Carnatic music. It has its inspirations from the sculptures of the ancient temple of Chidambaram. Bharatanatyam, as the name depicts is the combination of: 'Bha' - Bhavam (means expression), 'Ra' - Ragam (means music), 'Ta - Talam (means beat or rhythm) and Natyam (means dance) in Tamil.
Odissi, also known as Orissi is one of the eight classical dance forms of India. It originates from the state of Odisha, in eastern India. It is the oldest surviving dance form of India on the basis of archaeological evidences. The classic treatise of Indian dance, Natya Shastra, refers to it as Odra-Magadhi. 1st century BCE bas-reliefs in the hills of Udaygiri (near Bhubaneshwar) testify to its antiquity. It was suppressed under the British Raj, but has been reconstructed since India gained independence. It is particularly distinguished from other classical Indian dance forms by the importance it places upon the Tribhangi (literally: three parts break), the independent movement of head, chest and pelvis and upon the basic square stance known as Chauka or Chouka that symbolizes Lord Jagannath. This dance is characterized by various Bhangas (Stance), which involves stamping of the foot and striking various postures as seen in Indian sculptures. The common Bhangas are Bhanga, Abanga, Atibhanga and Tribhanga.
Kathak is one of the eight forms of Indian classical dances, originated from India. This dance form traces its origins to the nomadic bards of ancient northern India, known as Kathakars or storytellers. Its form today contains traces of temple and ritual dances, and the influence of the bhakti movement. From the 16th century onwards it absorbed certain features of Persian dance and central asian dance which were imported by the royal courts of the Mughal era.
Source: Wikipedia
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