From Album Ugolino "Nudo E Crudo" 1973 Italy
A strange , nervous by the movements , his voice scratchy, cut throat, the dark atmospheres reminiscent of the black beat the Ravens , a solution of singing and songs seemingly senseless , some hints of nonsense , Ugolino , born Guido Lamberti , born in Calabria but Genoese adoption , came to prominence in the late '60s with a couple of songs , apparently frivolous , actually the exact aims . But what a beautiful day and Thank God that all is well pushed to smile through gritted teeth , but between the words included wrinkle bitterness completely conscious . With those songs also made inroads on the market, but the figure of Ugolino did not impose himself , avoiding to push your dish over the single track of success and immediate curiosity . Disappeared from circulation for years, without which he rammentasse anyone, Ugolino re-emerged with a disc of a small label Siam remained screwed ( Pierrot , distribution Phonogram , 1977) and at the end of 1978 with the album Free all, album still fresh , to be rediscovered . The attempt was almost successful, and Ugolino , on the verge of 40 years old, disappeared from the music industry . It seems , according to David Zard , that the original project of " Puppet wireless " by Edward Jackson , was signed just by Ugolino , who in the early '70s he was forced to lock him up in a drawer , waiting for his moment to arrive . " In the field of national art , in general, companion in misfortune is certainly more hunger that money . Record companies talk about multi-billion dollar , but always mention those twelve omitting to etiquette , the other twelve that instead .... " . Its title was " Pinocchiaccio ." Too bad !
